Radical Meeting Places, Poetry and the Public Domain

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Título
Radical Meeting Places, Poetry and the Public Domain
Resumo
The intertwining of poetry and space has been a subject of scholarly research and debate for many years, but its study has acquired new vigor with transformations in media and the advent of the Internet. Indeed, a shared concept of space cannot be taken for granted and its facets have been reconfigured to the degree that research initiatives, like that of the Contemporary Poetry in Public Space group1, have become important reference points regarding its nature for researchers exploring the topic. Bearing in mind that, through perception, space and time are bound together, this group’s recent discussion of poetry’s temporal roots in rhythm and corporal gesture (Chamberlain 45-58) necessarily calls for a corresponding reflection on poetry’s rootedness in space. It calls for a reflection understood in the etymological sense of running thoughts backward from the conceptual, through the perceptual, to approach the deep-rooted experience of poetic discourse, understood broadly as a celebration of language.
Publicação
Liminalities: A Journal of Performance Studies
Volume
11
Número
13
Páginas
1-16
Língua
en
Catálogo de Biblioteca
Zotero
Citação
CHAMBERLAIN, Daniel F, [sem data]. Radical Meeting Places, Poetry and the Public Domain. Liminalities: A Journal of Performance Studies. vol. 11, no. 13, p. 1–16.
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