Graffiti, Street Art, and Culture in the era of the Global City: The Ana Botella Crew case

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Título
Graffiti, Street Art, and Culture in the era of the Global City: The Ana Botella Crew case
Resumo
What is the role of art in the reinforcement or rejection of current models of public space management in our cities? To answer this question, we must attend to the ties of all artwork with public institutions, and whether or not it questions the dominant order. In this article, I will focus on the works of the Ana Botella Crew, a group of artists from Madrid, as an example of “artivism” that challenges the City Council’s management of public spaces in Madrid. My aim is to explore how useful internet tools can be to articulate artistic interventions that challenge the hegemonic uses of public space, in what Sassen has called the global city.
Data
2016
Acedido
12/03/24, 09:13
Título Curto
Graffiti, Street Art, and Culture in the era of the Global City
Catálogo de Biblioteca
Semantic Scholar
Citação
MENOR, Luis, 2016. Graffiti, Street Art, and Culture in the era of the Global City: The Ana Botella Crew case. Em: [em linha]. 2016. [Acesso em 12 março 2024]. Disponível em: https://www.semanticscholar.org/paper/Graffiti%2C-Street-Art%2C-and-Culture-in-the-era-of-the-Menor/1385f6b66ef41bf4ba60ea8df1d65c1cd9d58ff6
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