Graffiti, Street Art, and Culture in the era of the Global City

Autor ou contribuidor
Título
Graffiti, Street Art, and Culture in the era of the Global City
Resumo
What is the role of art in the reinforcement or rejection of current models of public space management in our cities? To answer this question, we must attend to the ties of all artwork with public institutions, and whether or not it questions the dominant order. In this article, I will focus on the works of the Ana Botella Crew, a group of artists from Madrid, as an example of “artivism” that challenges the City Council’s management of public spaces in Madrid. My aim is to explore how useful internet tools can be to articulate artistic interventions that challenge the hegemonic uses of public space, in what Sassen has called the global city.
Publicação
SAUC - Street Art and Urban Creativity
Data
2015-12-20
Volume
1
Número
2
Páginas
59-69
Acedido
15/03/24, 08:53
ISSN
2183-9956
Língua
en
Catálogo de Biblioteca
journals.ap2.pt
Licença
Copyright (c)
Extra
Number: 2
Citação
MENOR, Luis, 2015. Graffiti, Street Art, and Culture in the era of the Global City. SAUC - Street Art and Urban Creativity [em linha]. 20 dezembro 2015. vol. 1, no. 2, p. 59–69. [Acesso em 15 março 2024]. DOI 10.25765/sauc.v1i2.31. Disponível em: https://journals.ap2.pt/index.php/sauc/article/view/31
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