A sua pesquisa
Resultados 5 recursos
-
Contemporary visual poetry remains as hybrid and experimental an artistic modality as it was in the 20th century, with a continued emphasis on mixing temporal and spatial elements in a dynamic verbal–sound–visual structure. These essential aspects and techniques, still at work today, which originated in simple pattern poems from earlier centuries, reached their peak of sophistication with the Concretists and Neoconcretists. Today, however, intermedia practices have a tendency to focus more on certain aspects of our technoculture that resonate with an ‘altered’ mode of perception, keen on exploring uncharted territories through the newest technologies and the speed of information. To illustrate this attraction to the functional use of technologies, I have selected two representative artists, Bartolome Ferrando and Eduardo Kac. Their radically different lines of work and artistic intentions reflect, nonetheless, a similar conception of poems as (bio)dynamic objects, existing as living art within a continuum of possibilities. Ferrando is more interested in exploring the possibilities of condensing movement in a 2-D or 3-D surface, whereas Kac wants his poetic performances to interfere with the essentials of life itself. These authors prioritize the importance of non-linear sequencing with the organization of multiple levels of information in micro-units of space-time in order to manipulate the standard experiences and expectations of readers.
-
This book explores the themes of displacement, exile and migration in the work of the most important Argentine poets since the 1950s. The book outlines the poetry of key authors in the second half of the twentieth century as well as writing by younger poets at the turn of the century. It includes generous selections of the original poems with new translations into English by the author.
-
Este trabajo se propone señalar las prácticas de poesía ligadas a la performance y la teatralidad en la región del Río de la Plata durante los procesos de finalización de la dictadura y comienzos de la democracia, hacia finales del siglo XX. Menciona brevemente una historia del género y los problemas metodológicos que presenta la investigación. Desarrolla, además, la emergencia de formas de la teatralidad en las producciones artísticas y políticas de comienzos de 1980 en Argentina, período marcado por la transición democrática, para ubicar en este marco la producción del poeta y dramaturgo Emeterio Cerro.
-
During the twentieth century, two movements in Cuban art played a critical role in creating an expanded space for societal debate and cultural expression: the artistic avant-garde and the Afro-Cuban movement. Initially flourishing in the late 1920s and early 1930s, these collective efforts took on new forms in the changed environment after 1959. After the Revolution, conditions for cultural production changed with the official position that art should serve ideological functions, but both avant-garde and Afro-Cuban production continued, at the risk of conflict with the state. In the face of a restrictive state that sought to control such expressions, the Afro-Cuban movement and avant-garde art collectives developed along parallel, and sometimes intersecting, lines.
Explorar
Enfoque
- Estudos Culturais (4)
- Análise Cultural (3)
- Histórico (3)
- Estudos sobre Oralidade/Sonoridade (2)
- Literário (2)
- Sobre Performance (2)
- Sociológico (2)
- Antropológico (1)
- Estético (1)
- Estudos de Filosofia/Teoria Política (1)
- Estudos Étnicos (1)
- Estudos Gays-Lésbicos (1)
- Estudos sobre a Espacialidade/Cidade (1)
- Estudos sobre Migrações (1)
- Feminista (1)
- Interartes (1)
- Media Studies (1)
- Semiótico-Cultural (1)
- Teatrológico (1)
Espaço Geocultural
-
América
(5)
- América do Sul (4)
- Antilhas (1)
Período
- 1990–atualidade (5)
- 1946–1989 (4)
- 1901–1945 (1)
Relações Interartísticas
- Performance (4)
- Artes Eletrônicas (3)
- Música (3)
- Arquitetura e Urbanismo (1)
- Artes Cênicas (1)
- Cinema (1)
- Dança (1)
- Fotografia (1)
- Improvisação e Happening (1)
Repertórios
- Poéticas das Neovanguardas
- Poéticas da Voz (4)
- Poéticas do Corpo (4)
- Poéticas Sociais (4)
- Poéticas Identitárias (3)
- Poesia Tradicional (2)
- Poéticas da Encenação (2)
- Poéticas Heteroeróticas (2)
- Poéticas Homoeróticas (2)
- Poéticas Intimistas (2)
- Metapoesia (1)
- Poéticas Biográficas (1)
- Poéticas da Improvisação (1)
- Poéticas do Espetáculo (1)
- Poéticas Feministas (1)
- Poéticas Minimalistas (1)
- Poéticas Narrativas (1)
- Poéticas Surrealistas (1)
Tipo de recurso
- Artigo em Revista Científica (2)
- Livro (2)
- Secção de Livro (1)