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In 2014 we took the occasion of the tenth anniversary of the 031 crew from Bern and produced a 5MINUTES double episode. Actually it's more like a triple episode, because with 14 minutes the episode is very long. But if you are interested in what the guys from 031 had to say back then, you will take your time. Because the Crew is about to release their 500 page book (700 photos) 031 FOR THE PEOPLE via NON STOP Publishing here is the re-upload and a link to check out the books preview and trailer: https://ilovegraffiti.de/blog/2022/12... With the release of this episode there was a lot of feedback, about the film and the crew. From the Swiss media as well as from the scene. We can't repeat it often enough: we are a neutral medium that likes to look behind the scenes and let protagonists speak. Completely unreflective, we deliberately let things stand, and yes, we are convinced that it is "allowed" to do so. This has been our approach for many years and will remain so. In this sense, have fun with 031BERN. 5MINUTES is a project by ILOVEGRAFFITI.DE in cooperation with ARTE. http://ilovegraffiti.de #graffiti #ilovegraffiti #031crew #trainwriting
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5 MINUTES WITH: FLORIAN KRAUSE | 2015 Re-Upload: Diese Episode wurde 2015 von arte gestreamt Im Frühjahr 2015 haben wir uns entschieden, eine 5MINUTES Doppelepisode mit dem Fotografen FLORIAN KRAUSE zu drehen. Uns hat besonders interessiert, wie Florian seine Fotos macht, welche Motivation dahintersteckt, ob er alle Künstler kennt und ob die Fotos in Zusammenarbeit entstehen. Wird sich abgestimmt mit den Graffitikünstlern und vieles mehr. Um die Fragen zu beantworten sind wir dem Fotografen und Kameramann aus Wiesbanden bis nach Berlin in ein weit abgelegenes Gelände gefolgt, wo er zusammen mit den Graffitikünstlern RAWS, SKENAR, STEREOHEAT und STAN gearbeitet hat. Was dort passiert ist, die Antwort auf unsere Fragen und vier neue Fotoarbeiten gibt´s in unserem 5MINUTES Spezial 'LIGHTBRUSH GRAFFITI VON FLORIAN KRAUSE' 5MINUTES ist ein Projekt in Kooperation mit arte: http://arte.tv/5minutes
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Este libro explica cómo la filosofía ilustrada, la sociología moderna y el pensamiento crítico se han enfrentado al oscuro mundo irracional. El autor aborda aquí un extraño enigma: ¿por qué la irracionalidad y el desorden mental logran alojarse en el corazón de la cultura moderna orientada por el racionalismo?, y busca la respuesta en Kant, Weber y Benjamin.
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Nowadays, walking around any city is a guarantee of seeing graffiti, while the public transportation are still a good canvas for writers. It is a well-established social phenomenon and has catch the attention of ethnographers, academic artists and other scholars that have entered the worlds of graffiti writers to explain their origins, trajectories, motivations, their identity construction, their conception of the self and their role and relation with society at large. However, still there is no synthetic effort of categorisation that provides understandable and communicable approaches to graffiti in the real world. From some sectors graffiti is still something to “deal with”. Generally speaking, authorities and dutyholders consider graffiti as threat a security and safety issue, turning it into something that needs to be addressed. For social workers, for instance, graffiti can be a means of communication with certain youth sectors or even a tool for social cohesion generation. Departing from this perspective, Graffolution was designed: an EC funded project for generating awareness and advance in the provision of best practices for tackling graffiti in Austria, Germany, Spain and the United Kingdom. The first rule encountered is no-one-size-fits-all and referring to graffiti and graffiti writers, this requires a complex understanding of the phenomenon, their trajectories as well as individual and collective dispositions. The aim of this paper is to provide a consistent typology of graffiti writers, offering a comprehensive picture of whose are the hands behind the graffiti cans. This serves a double level purpose: advancing at the theoretical level putting forward the sociocultural approaches to careers and social backgrounds provided by ethnographic approaches, as well as capturing the complexity of the phenomenon to serve as an operative conceptual basis for practitioners, professionals and decision makers. In doing so, the analysis is made on the transcripts obtained for 22 semi-structured interviews, carried out in the four participating countries. The transcripts have been analysed according to the “persona” methodology, which constitutes a systematic and novel approach and a qualitative technique for clustering information. As a result, three main categories have been defined according to important ambitions, challenges and stages of typical ‘journeys’ or ‘pathways’ of actors. These findings contribute to form a basis of a) highlight the misconceptions around graffiti as a petty crime, and b) offer a guide to understand graffiti writers under a socio-cultural perspective.
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Wir haben uns das zehnjährige Bestehen der 031 Crew aus Bern zum Anlass genommen und eine 5MINUTES Doppelepisode produziert. Eigentlich ja eher eine Triple-Episode, denn mit 14 Minuten ist die Folge doch sehr lang geworden. Wer sich jedoch interessiert für das was die Jungs von der 031 zu sagen haben, wird sich die Zeit nehmen. Mit der Veröffentlichung dieser Episode gab es zahlreiches Feedback, zum Film und zur Crew. Von den Schweizer Medien wie auch von der Szene. Wir können es gar nicht oft genug wiederholen: wir sind ein neutrales Medium, das gern hinter die Kulissen schaut und Protagonisten sprechen lässt. Völlig unreflektiert lassen wir bewusst Dinge auch einfach mal stehen, und ja wir sind davon überzeugt das man das machen “darf”. Das ist seit vielen Jahren unsere Vorgehensweise und das wird auch so bleiben. In diesem Sinne, viel Spass mit 031BERN. Ein Projekt von ILOVEGRAFFITI.DE in Zusammenarbeit mit ARTE Creative.
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