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This article focuses on the possibilities of using the audio walk as a method for artistic research. First, the decisive characteristics of the format will be outlined, followed by a detailed description of an example case: my artistic research project that focuses on the subject of female migration. Several elements of the audio walk were used in a series of exercises with a group of recently migrated women, with the intention of investigating how the perception of the city is determined by their specific experience. This example case will be used as a means of pointing out several possibilities and opening up a space to think of the audio walk as a way of presenting a work but also as a way of generating knowledge as well.
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The published works of Andi Nachon (Buenos Aires, 1970) comprise more than half a dozen single-authored collections of poetry, inclusion in several recent anthologies, and her own anthology of Argentine women poets. Her name appears in articles and works on recent poetry from Argentina, as in Diana Bellessi’s La pequeña voz del mundo. She also gives frequent readings on the Buenos Aires poetry circuit. Her work, though, lacks a sustained critical study. This is surprising. Nachon’s poetry occupies, in form and technique, a space between the dominant trends of 80s and 90s poetry – broadly speaking, the neobarroco and objectivismo – whilst her themes take in contemporary pop culture, political memory and resistance, and what might be termed the psychogeography of the city. Ambiguity – of subject or narrative position; of syntax; of geographical or physical position; and of gender – characterizes much of her work. For these and other reasons, a detailed reading of a selection of poems from throughout her career is somewhat overdue. This paper sets out to examine a number aspects of her poetry: the context from which her earliest work emerges; its development of novel forms of address, in relation to comparable near-contemporary poets; explorations of space, including a form of psychogeography, in both her early collections and her volume Taiga (2000); the subtle political engagements found in her poetry, including a later collection Plaza real (2004); before looking at her most recent poetry and its interaction with non-poetic forms. Questions of the lyric and what has been called by Baltrusch and Lourido (2012) and Casas (2012), amongst others, “non-lyric poetry”, are central to these analyses.
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This book explores the themes of displacement, exile and migration in the work of the most important Argentine poets since the 1950s. The book outlines the poetry of key authors in the second half of the twentieth century as well as writing by younger poets at the turn of the century. It includes generous selections of the original poems with new translations into English by the author.
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Enfoque
- Estudos sobre Migrações
- Análise Cultural (3)
- Literário (3)
- Estudos Culturais (2)
- Estudos de Filosofia/Teoria Política (2)
- Estudos de Gênero (2)
- Estudos sobre a Espacialidade/Cidade (2)
- Feminista (2)
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Espaço Geocultural
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América
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Período
Relações Interartísticas
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- Outras (2)
- Performance (2)
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Repertórios
- Poesia Tradicional (2)
- Poéticas Biográficas (2)
- Poéticas da Voz (2)
- Poéticas das Neovanguardas (2)
- Poéticas do Corpo (2)
- Poéticas Feministas (2)
- Poéticas Identitárias (2)
- Poéticas Intimistas (2)
- Poéticas Minimalistas (2)
- Poéticas Sociais (2)
- Poéticas Surrealistas (2)
- Metapoesia (1)
- Poéticas Heteroeróticas (1)
- Poéticas Homoeróticas (1)
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- Artigo em Revista Científica (2)
- Livro (2)
Ano de publicação
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Entre 1900 e 1999
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Entre 1990 e 1999
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- 1997 (1)
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Entre 1990 e 1999
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- Entre 2000 e 2026 (3)